Suzanne Lilly

Top Ten Books for Writers 2009

December 28, 2009 · Leave a Comment

Girl Reading at a Table, Pablo Picasso, 1934

Girl Reading at a Table, Pablo Picasso, 1934, Photo by Wallyg on Flickr

“Can I be blunt on this subject? If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that. Reading is the creative center of a writer’s life.” ~~~Stephen King

Sometimes I feel as if when I’m reading, I’m wasting time. Shouldn’t I be working, writing? This may go back to my childhood when I was often told I should be “doing something” instead of “just reading.” Thank you, Stephen King, for validating the hours I lay on my couch devouring the written word.

Those hours reaped many revelations and epiphanies in my own inner life right along with the characters. Some books have stayed in my imagination for years. Even though the plots may have dimmed in my memory, the emotions the stories evoked remain. These long lasting tales are the types of stories that inspired me to begin writing. Over the years, as my writing develops and changes, the books that inspire me change with it.

At the end of each year, many people feel compelled to write lists. Lists of things done, lists of things to do, lists of who’s naughty and nice. In keeping with this tradition, what are your top ten books that have inspired your writing? Since I’m asking you to share, I’ll tell you what’s on mine.

1. The Fire in Fiction, by Donald Maass
I just finished reading this one, and I’ve already filled it with notes in the margins. Many of those notes have spilled over into the margins of my manuscript.

2. Writing the Breakout Novel, by Donald Maass
Along with the workbook, this reference is considered indispensable by many novelists.

3. On Writing Well, by William Zinsser
This was my first book about writing, and I’ve kept it lo, these many years. I now have the 30th Anniversary Edition, and enjoy it as much as the original.

4. Zen in the Art of Writing, by Ray Bradbury
This collection of essays helps me stay grounded and focused in my writing.

5. Techniques of the Selling Writer, by Dwight V. Swain
Although this book has been in print for decades, I discovered it only this year. It’s so full of tabs and bookmarks I can barely close it.

6. On Writing, by Stephen King
I loved his novels when he first began writing. This book gives insight into the writer’s mind and life.

7. Word Painting: A Guide to Writing More Descriptively, by Rebecca McClanahan
This little tome will sweep you away in its rivers of descriptive prose.

8. Bird by Bird, by Anne Lamott
This gentle guide allows us as writers to accept ourselves as we are, and to strive to be better, just a little bit at a time.

9. The Thirteenth Tale, by Diane Setterfield
The intricately woven plot details in this book and the way the author deftly arranges them like threads in a lace pattern, amazes me. Each time I read it, I learn something new about plot and atmosphere.

10. Any of Harlan Coben’s books.
Yes, I’m counting his several novels as one point on my list, and no, I don’t think that’s cheating. Harlan Coben is a writer who can twist a plot so tight you can hear it scream for mercy. You never know what to expect at the turn of each page. He’s a plot master to learn from, so if you haven’t read one of his books, do so immediately.

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What I Did on Summer Vacation

August 1, 2009 · Leave a Comment

Best Sign Award, Skagway, Alaska.

Best Sign Award, Skagway, Alaska.

The summer is coming to a close. It seems much too early to be heading back to school, but here it is. I’m happy that I’ve had so much time to write this summer. Here’s a recap.

What I did on summer vacation:

  1. Took an online class, Body Language Basics, from Margie Lawson, with my amazing writing buddy Vicki Tremper.
  2. Went to Alaska and enjoyed seeing a part of the country I’d never visited. My cousin and daughter went with me, and we had a fun girl’s week out.
  3. Worked on bumping my article count at Suite101.com to over 100. Apparently 100 is a magical number at Suite101. That’s the point at which writers begin to see real results from their efforts. I beg to differ. For me, the magic began at 101. An editor tore my 100th article apart, (gently, of course,) and I had some major rewriting to do.  Thanks to her, it looks much better now.   B-)
  4. Finished my novel, House of Chimes with the many EDITing pointers I learned from the class I took in June. (See number 1 above.)
  5. Swam almost every day, and spent lots of time with family.
  6. Started getting my recipes and cooking tips online at my new blog, DinnerMagic.
  7. Finally got on Facebook!
  8. Moved from Media Literacy to Writing Fiction as a feature writer at Suite101.

What I didn’t do on summer vacation:

  1. Lose those ten pounds I gained over the school year. I had a fabulous parent who brought treats for the class to school at least once a week. It shows on my tummy!
  2. Update this blog. Oops. I’m making amends for that now.
  3. Learn calculus. Yeah, I had big goals in that area, but the way I see it, calculus will still be there next summer.
  4. Start brushing my dog’s teeth. I know, I know, my vet tells me dogs need to have clean teeth to stay healthy. I prefer to give her lots of chew toys and denta-bones. And to not let her breathe on me.

I’m happy to see that my list of what I did is twice as long as the list of what I didn’t do. It makes me feel good. Now I need to stop blogging, and get to work plotting my next novel. I’m definitely a plotter, not a pantster.

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To Plot or Not to Plot?

April 27, 2008 · 2 Comments

I just came back from a writer’s meeting. We had three guest speakers from the Fog City Divas today, Allison Brennan, Monica McCarty, and Candace Hern. The topic was Plotting.

Ah, the bug-a-boo of novice writers. How do you plot? What makes a good plot? Should you plot or not plot?

The three writers use systems that range from totally organic writing, (just dive right in, start writing, work your way from beginning to end,) to getting an idea and a short synopsis on paper before you write, to the completely anal plot everything, including genealogy and scene by scene outlining before you start.

I tend to fall closer to the anal side of the writing spectrum. I must know where my story is headed and where the turning points are before I begin. I absolutely must know everything I can possibly know about the characters and plot before I can start. If I don’t do this, I have writer’s block. Or I end up rewriting until the story dies on the vine.

I admire people who can just sit down at a keyboard and start writing. I admire people who can start with a small idea and turn it into a big novel. I admire people who are so organized that they can plot everything before they start. In short, I admire writers.

Whichever way you find that works for you, is the right way to do it. Don’t believe the writing books that tell you their way is the only way. If that were true, there wouldn’t be so many different books about writing at the bookstore.

Experiment.

Try different methods.

When you find the one that’s right for you, you’ll know it.

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Major League Pitching Without the Baseball

March 16, 2008 · 6 Comments

Yesterday, I went to a writer’s group meeting to listen to an agent, who will not be named here, speak to the group about whatever agents like to speak about. Unfortunately, the agent, whose name I won’t mention, couldn’t attend. The grand scramble began as the officers of the writer’s group put together an impromptu program. They did a fabulous job. We had mini-workshops conducted by each of the officers. I attended a workshop on pitching. Not the baseball kind, the literary kind.

How do you pitch to an editor at a conference in the miniscule time slot you have with him? First, do the pleasantries, introductions, and show how well you fit with the agency. Do this quickly, before his eyes glaze over. Next, do a one to two line pitch for your book that will make the editor sit up and ask for more.

“What?” we all looked shocked. No, we were frightened. “We can’t condense a 100,000 word book into one sentence!”

Actually, we can. We did. We practiced on popular movies that we all know. The hardest part of this workshop was finding movies we all have seen and know the plot well enough to pitch. We settled on “The Little Mermaid.”

Here’s the winning pitch: “A beautiful young mermaid longs to become human after she falls in love with a prince, but she must give up everything she knows to be with him.”

This pitch works because

  • It is short and to the point.
  • It has an emotional hook. Without the emotional hook, it would fall flat.
  • It touches on a universal theme, in this case, sacrifice.

The rest of the workshop we practiced on other books and movies. In closing she gave us homework, which I now pass on to you. Hey, I was taught to share.

Each time you watch a movie or read a book, when you finish, make a pitch for it. Be sure to include the main conflict and an emotional hook. Let your family and friends know what you’re doing, or they’ll probably quit asking you to watch movies with them. With practice, you’ll be able to pitch anything, even something you’ve just come up with as a story idea. Best of all, you’ll be ready when you attend your next conference and meet with the major league editors.

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More on Agent Search

February 11, 2008 · Leave a Comment

I started sending out query letters and keeping track of them in a file folder in my desk drawer. It seemed like a fine method at the time. Until I found QueryTracker. I like to share a good thing when I find one. This is a good thing.

At QueryTracker, I have my personalized list of agents, prioritized for my top picks. I used the links and data at the site as a starting point for my research. Now I can track who I’ve sent a query to and when, and who requested partials or fulls. It places a big red sad face by the agents that send me a rejection. Sadly, I have a few of those. But who doesn’t?

I’m starting my next big writing project, between my obsessive running to the mailbox to check for agent responses, and clicking on my email for the same. Writing is the best remedy to combat an obsession with agent responses. Eating is another effective distraction. I wonder how much I’ll weigh by the time I get accepted? Please hurry with your responses, dear agents!

There’s a contest going on with a writer’s group I’m part of, to see who can get the most rejections in a year. I think with the help of QueryTracker, I may be one of the finalists. Of course, I’ll have several acceptances as well. I’d better go check my mail for one right now.

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Agent Search

January 22, 2008 · 1 Comment

Now that I’ve completed my middle-grade novel, Gold Rush Girl, under my pen name SariAnne Miller, I’ve begun researching agents. Here are six tips that I’ve gleaned from my sleuthing.

1. Agents prefer to be addressed by name. Hmmm. Don”t we all? I’m much more likely to respond to Suzanne than to “Hey, you!” or “Hey, teach!” How many of us will open junk mail addressed to “Resident?” That’s what I thought. So give your prospective agents the same respect and make an effort to find out their names.

2. Agents prefer you to read their submission requirements. Not only do they want you to read them, they want you to follow them. As in “follow directions.” As in what your teacher taught you to do in kindergarten. Read the submission requirements carefully, and do the agents a favor. Follow directions.

3. Agents love it when you find out if your novel matches books they actually represent. I know it must break an agent’s heart to send a form rejection out to the person who submits a science fiction story to him when he only handles non-fiction. It probably breaks his heart because he has to waste his time sending you a rejection note. (Legal note: For the protection of all agents and their assistants everywhere, the he in the aforementioned scenario, could just as easily have been a she. If you prefer, you may substitute she wherever you see the word he in such scenario.)

4. While we’re talking about finding out if your book matches the agent’s representation, think about whether you respect the authors of these books. If you see authors on their list that you know, have read, or have undying admiration for, then the agent might be someone you want to research further. Otherwise, my advice is to keep looking.

5. I love it when agents embrace technology. (Translated, that means they accept queries by email.) It saves you money, and saves the planet’s trees. However, not all agents are there yet, because viruses are scary. This is a factor that I take into account when doing my research, but it’s not the most important thing I consider.

6. Have you read or been told that a synopsis should be about one page long per every 10,000 words of your manuscript? A well known writer says this in his book. That would mean that a 100,000 page novel would need a ten page synopsis. Now, call me crazy, but if I were an agent reading 100 queries a day, I don’t think I would want them to have ten page synopses with them. That would be 1,000 pages a day of possibly mediocre, possibly horrid writing. I have yet to see any agent ask for more than a one or two page synopsis.
Keep it short and concise. You should be able to state the high concept of your book in one sentence. I hear you wailing, “That’s impossible!” No, it’s not. If you can’t condense the story’s pitch, main idea, and theme to less than 500 words, then try again. And again. Until you do.

So there you have it. Hopefully I’ve covered the salient points and left out the unimportant ones. May your own sleuthing find you the perfect agent.

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Crusie-Mayer Writing Workshop

January 6, 2008 · Leave a Comment

The Crusie-Mayer workshop is done. It was an online novel writing workshop held during 2007, written in a he said, she said format. This had to be one of the best interactive workshops I’ve taken part in online. I even printed many of the lessons as a way of keeping a handy reference at my desk. Bob Mayer and Jennie Crusie probably knew we would all be having withdrawals, so they graciously gave us a Musestorm widget to keep them close in our hearts and minds forever. Okay. I’m going to put the link in this post. If it doesn’t work, for whatever reason, probably because I’m not a programmer, I apologize. Here we go.

Crusie-Mayer Workshop

Arggh. It doesn’t work. Well, oh. Here’s a link to their collaborative site. Stay on the lookout for the print published version of the workshop. It’s the best.

CrusieMayer.com

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